Ebook Download Liberty's Daughters: The Revolutionary Experience of American Women, 1750–1800

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Liberty's Daughters: The Revolutionary Experience of American Women, 1750–1800

Liberty's Daughters: The Revolutionary Experience of American Women, 1750–1800


Liberty's Daughters: The Revolutionary Experience of American Women, 1750–1800


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Liberty's Daughters: The Revolutionary Experience of American Women, 1750–1800

Review

'[An] excellent book…[Norton's] first concern… is to trace the decline of patriarchy; the growth of free choice of a spouse; the rise of marital equality…the greater equality in educational attainments; the more intense concern of parents for the proper education of children; the greater permissiveness in child-rearing; and the increased cooperation between spouses in birth control…[Her] fascinating documentation, drawn from a vast range of manuscript sources, establishes the facts beyond any reasonable doubt…Norton suggests that the change resulted from… two factors. The first was the practical experience of women during the long years of revolutionary upheaval…The second…was the impact of egalitarian and republican ideology." ~Lawrence Stone, New York Times Book Review

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From the Back Cover

This book represents social history on a grand scale, imaginatively conceived and massively researched. Norton brilliantly portrays a dramatic transformation of women's private lives in the wake of the Revolution.

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Product details

Paperback: 400 pages

Publisher: Cornell University Press; 1 edition (September 4, 1996)

Language: English

ISBN-10: 0801483476

ISBN-13: 978-0801483479

Product Dimensions:

6.1 x 1 x 9 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#107,654 in Books (See Top 100 in Books)

I haven't read this yet, but I got it as a gift for my mother after reading another book by Norton "Devil's Snare." Norton is on track to be the president of the American Historical Association in 2018, and her work is reflective of her expertise

Not what I expected will probably resale

From the Edenton Tea Party to the benefits of an academy education, this book portrays the transformation of women's lives during the period known as the Revolution. Within these pages women's history is covered along with personal experiences. Through the women's diaries and letters from the 1770's through the 1790's you hear the real voices of the women and their thoughts on politics, war, post war and their education.

This book gave me some great information on women during that time period. I'm a member of DAR and I felt this book was well-written and researched.

Liberty's Daughters is really the combined collection of two books. Part I: The Constant Patterns of Women's Lives, sets the reader up for Part II: The Changing Patterns of Women's Lives. In a way, Part I explains the life of the prewar colonial woman. Part II discusses the changes that would occur for women during and immediately following the war. Norton makes a convincing argument that women's lives were forever changed by the Revolutionary War. Chapter 1 was extremely interesting as Norton details the differences between rural women of the colonies with urban women. She details the lives of rural women of the North in comparison to women of the rural South. Plus, Norton discusses the even harsher life of the female slave. In a way, there is an underlying sentiment that life was very difficult for both men and women during this period of time. I appreciated Norton's realization that men also experienced plenty of toil during this time in history. In other words, there was plenty of hardship to go around. One main theme that the reader quickly notices is how important spinning was to the women of colonial America. The first chapters detail how women would have to spin to make clothes for themselves and their families (and sometimes very large families). To pass the time, women would often spin in groups. This activity gave them a sense of companionship. This community would lay the important groundwork for their support of the men during the Revolutionary War. The second part of the book informs the reader how women formed formal spinning groups that actively worked to help the patriots. In a way, women now took up spinning as a part of the campaign for freedom against the British. Sewing gave women a sense of nationality as they could actively contribute to the defense of colonial liberties. Norton explains in the first chapters how women needed a certain degree of conversation. Women loved to talk, most particularly while they spun. In Part II, Norton explains how politics is all anyone could talk about during this era, so why would women want to be left out? Indeed, they were not left out of the conversation, and they were even more than willing to take part in the action. After all, it was their families who were at stake. Women actively took part in the mobs and spoke out against loyalists - partially to avoid from themselves becoming targets of the patriotic fever that swept much of the colonies. Just as in any other civil war, not all women agreed. Political differences caused breakups and differences in friendships and marriages. Though we read from other sources that Washington held contempt for the women who traveled with his army - taking precious rations and supplies, Washington also displays his gratitude to Ester Reed and her girls for this organization's contributions. He put these girls, "to an equal place with any who have preceded them in the walk of female patriotism." The significant sign of change in the lives of colonial women is found midway through Part 2 when the postwar female generation led political discussion and even took part in activism. This was completely alien to most women born before 1760. Nineteenth-century women took pride in the contributions that members of their sex had made to the winning of independence. The existence of such public-spirited models showed that women could take active roles in politics without losing their feminine identity. It was not by chance that in 1848 the organizers chose to use the Declaration of Independence as the basis for their calls for reform in women's status. They understood the relevance of the revolutionary era to their own endeavors. This is a far cry to the woman detailed in Chapter 1 who had no idea about even the financial state of her husband. Here is another profound change from Chapter 1: As time went on, women learned more about the family's finances while at the same time their husband's knowledge became increasingly outdated and remote. In a way, the soldiers increasingly delegated responsibility of the finances to their wives. Women received freedom from the British - just as did men. However, women also gained certain freedoms for their gender. Following the war, female children consequently began to expect the right to decide for themselves in marital matters if they so desired. Many girls continued to seek their parents' and friends' assessments of potential spouses. However, some women made up their own minds, and this is a revolutionary concept. After all, even today in some countries, women have yet to acquire this freedom. Not only were they given more choice in who they were to marry, the increasing use of contraception in the last two decades of the century can also be seen as a reflection of women's improved status within marriage. This came as quite a surprise to me as I had not been aware of any such methods of contraception at this early period of time. I had always assumed that people of this era had only one method of contraception: do not do anything! After the war, women grew increasingly willing to challenge the conventional wisdom about feminine faults. Women finally stood up against the arguments about their nature - particularly against negative aspects of their nature. They were less inclined to allow remarks about their "natural state" pass without harsh comment. This is, in my opinion, the true birth of a P.C. culture! Norton's argument is successful. The lives of women were forever altered by the Revolutionary War. Further, women had just begun to seek liberties for their own gesture. In a way, this book should be read before one begins to study and attempt to understand the feminist movement of the 1840's, before the Suffrage movement that gained women's right to vote, and before the feminist movement that would begin in the 1960's. Indeed, we still live with the consequences of the changes in women's society during the Revolutionary War.

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Ebook Harlem: The Four Hundred Year History from Dutch Village to Capital of Black America, by Jonathan Gill

Ebook Harlem: The Four Hundred Year History from Dutch Village to Capital of Black America, by Jonathan Gill

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Harlem: The Four Hundred Year History from Dutch Village to Capital of Black America, by Jonathan Gill

Harlem: The Four Hundred Year History from Dutch Village to Capital of Black America, by Jonathan Gill


Harlem: The Four Hundred Year History from Dutch Village to Capital of Black America, by Jonathan Gill


Ebook Harlem: The Four Hundred Year History from Dutch Village to Capital of Black America, by Jonathan Gill

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Harlem: The Four Hundred Year History from Dutch Village to Capital of Black America, by Jonathan Gill

From Publishers Weekly

Historian Gill documents Harlem's transformation from the early days of Dutch settlements and farms to its apogee as the site of one of the 20th century's most influential musical and literary flowerings in a dense, deftly told history. The author takes us from colonial Harlem, so strategically important in the American Revolution, to the 20th-century crucible of African-American arts and intellectual development, a place so vaunted that "Negroes wanted to go to Harlem the way the dead wanted to go to heaven." He invokes a veritable who's who of the black arts and intelligentsia who either called the neighborhood home or launched their careers in its embrace. Gill's analysis of Harlem's decline in the 1970s and the concomitant unemployment and crime is thorough, although his account of the Black Panthers and his analysis of the era's various "disturbances"--particularly a 1967 riot following a fatal episode of police brutality--wants a more nuanced interpretation. From the 1994 economic revitalization to the specter of gentrification, Gill makes a persuasive case that "change is Harlem's defining characteristic," and readers of this vibrant history will appreciate every step of its singular evolution. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved.

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*Starred Review* How did Harlem evolve from a Dutch colonial outpost to the most storied of African American neighborhoods? History and literature scholar Gill offers an exquisitely detailed account of the 400-year history of Harlem. Gill tracks Henry Hudson�s accidental encounter with the island of Manahatta as he searched for China, the struggle between the Dutch and the British to claim the area, the Revolutionary War, and the later establishment of wealthy estates. He chronicles the waves of immigrants in the nineteenth century, who added to the pulse and texture of the developing urban culture. In the twentieth century, as African Americans migrated from the South and the West Indies, they began to dominate the culture, and the Harlem Renaissance put its indelible stamp on the neighborhood. Gill details major figures from George Washington and Alexander Hamilton to Langston Hughes, Marcus Garvey, and Malcolm X as well as the vibrancy of music, art, literature, religion, politics, and urban sensibility that has come to signify Harlem. Richly researched, the book details the particular blend of street-corner preaching and political proselytizing as well as the drive of black commerce and civil rights that also have come to signify African American Harlem. A vibrant, well-paced, engaging history of an iconic neighborhood. --Vanessa Bush

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Product details

Hardcover: 448 pages

Publisher: Grove Press; First Edition edition (February 1, 2011)

Language: English

ISBN-10: 0802119107

ISBN-13: 978-0802119100

Product Dimensions:

6.2 x 2 x 9.2 inches

Shipping Weight: 2 pounds

Average Customer Review:

4.6 out of 5 stars

38 customer reviews

Amazon Best Sellers Rank:

#294,490 in Books (See Top 100 in Books)

Having been born in Harlem, loved it, studied it, and penned my own experience of growing up there in the 1950s and `60s, I thought I knew, at least a little bit about everything there was to know about my beloved community. Jonathan Gill's comprehensive book, Harlem: The Four Hundred Year History From Dutch Village to Capital of Black America, disabused me of that misconception.Gill has written a "complete" history starting with Henry Hudson sailing up the Hudson River in 1609, and ending with the 2009 relocation of founding father, Alexander Hamilton's historic home which, until its move around the corner and down the hill, sat across the street from my house.Sometimes Gill's detail is sometimes excessive, but his breezy tidbits make up for it. A few examples: Madam Jumel (once married to Aaron Burr) was said to be the model for Dickens' character, Mrs. Havisham. The term "hot dog" was reportedly coined at the Polo Grounds stadium in 1901 because center field ended 483 feet away, thus "... making a home run there a near impossibility." In 1904, it took 31 minutes to travel by subway from 125th St. to 145th.Four hundred years of history is a lot to cram into one book, especially a beguiling place like Harlem with its larger-than-life reputation. A mere dot on a map, Harlem only measures about three square tucked-away miles on the upper part of an island empire and, at least in recent decades, has largely been maligned and often ignored by the ruling class.Gill does not skimp on Harlem's hellish years, but he also captures its vibe and enormous influence on music, religion, the arts, literature, fashion, sports, cuisine, politics, migration, and its involvement in both racial strife and ethnic diversity.I'm happy to have finally read this encyclopedia-like compendium. It's scholarly, but generally easy reading. Some of the transitions are not always smooth, and because his footnotes were so voluminous, he does not list them at the back of the book; instead, he directs readers to his website, which is no longer easy to find. Many times I wanted to look up a reference while reading, but wasn't near a computer, and even if I was, looking things up is a lot to ask when you're already trying to get through 450 pages.Sugar Hill: Where The Sun Rose Over Harlem

I found this to be a very informative and detailed history of Harlem, the neighborhood on Manhattan Island from 145th Street in the south to 155th street in the north with Edgecomb Avenue to the east and Amsterdam Avenue to the west. The author provides very historical details from the settlement of Manhattan by the Dutch right up to the present time. I have to confess I felt overwhelmed by the numerous details. An example would be cartoonist Thomas Nast who was responsible for the elephant being the logo for the Republican party in addition to the caricature of Santa Claus.Author Gill provides us with the history of iconic landmarks such as the Polo Grounds, home to the New York Giants through the 1957 season, the Apollo Theatre, and the Morris-Jumel mansion. Several individuals from the entertainment world such as George and Ira Gershwin, the Marx brothers, Billie Holiday, Bert Williams, "Fats" Waller, Duke Ellington, and Paul Robeson are given their deserved space in any history of Harlem. New York Giants' iconic center fielder Willie Mays, Adam Clayton Powell, Malcolm Little (better known as Malcolm X), boxer Sugar Ray Robinson, and also Harlem resident former President Bill Clinton are also deservedly included. Some details are also provided regarding the conviction and execution of Officer Charles Becker and the gangsters involved in the murder of Herman Rosenthal.Author Jonathan Gill deserves a lot of credit for the enormous amount of detail he provides on the history of Harlem. He has done a thorough job. However, speaking for myself, I found the detail excessive and I did find myself getting bogged down at times getting through it all. This is a five star book, but for me personally, I must give it four stars indicating that "I like it."

This is a very detailed history of that section of Manhattan known as Harlem. From the first settlements at the lower tip of the island, to the first few farms "uptown," the author writes about the development of one of the most recognizable places in the world. Mr. Gill covers everything from the first efforts to farm, to the great migrations that affected Harlem, to the music, dance, and entertainment center it became - and everything in between, before, and after. Sometimes the street names became a little tedious for me, because I don't live there and am not to familiar with those streets except in a general idea of where they are. Actually, I was drawn to this book by the fact that my son lives in Harlem, near the Abbyssinian Baptist Church! Now I feel I know his neighborhood very well!

This is very engaging history with interesting detail that brings the centuries to life. Not only is it a history of a fascinating place, it introduces a host of characters whose imprints have contributed to the personality of Harlem. These include Aaron Burr, John James Audubon, Thomas Nast, Cab Calloway, Malcolm X, and Geoffrey Canada. Gill emphasizes race, music and the arts, and economic factors that have played key roles in Harlem's ascent, decline and resurgence.Most interesting were the waves of immigration and how generations of politicians courted these constituents while largely leaving them unsupported while in office. Undeniably, music is associated with Harlem and a great deal of the book is dedicated to this fact. Fascinating to me is the rough years in New York from the mid 1960's through the 1970's when a declining and bankrupt city almost went under. Gill provides shocking facts including Harlem's 820 people per acre density (three times the Manhattan average), how urban renewal was equated with "Negro removal", and more than a third of heroin addicts in the U.S. lived in Harlem in the late 1970's. The author ends his history on a hopeful note recognizing that Harlem has been experiencing a real estate renaissance. Ironically (perhaps humorously) he points to the arrival of Target and Costco as positive signs.

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Download Ebook The Book of Salsa: A Chronicle of Urban Music from the Caribbean to New York City

Download Ebook The Book of Salsa: A Chronicle of Urban Music from the Caribbean to New York City

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The Book of Salsa: A Chronicle of Urban Music from the Caribbean to New York City

The Book of Salsa: A Chronicle of Urban Music from the Caribbean to New York City


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The Book of Salsa: A Chronicle of Urban Music from the Caribbean to New York City

Product details

#detail-bullets .content {

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Audible Audiobook

Listening Length: 13 hours and 31 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Audible Studios

Audible.com Release Date: February 10, 2014

Language: English

ASIN: B00ICNPQ4W

Amazon Best Sellers Rank:

Very accurate and well written, although the Spanish version remains superior.

Good buy and prompt delivery. Thank you!

I would ordinarily not review a book I didn't finish, but Rondón made two errors in the first 28 pages so grievous that I put the book down for good. First, about the debut album from Eddie Palmieri's band La Perfecta, he claims: "Eddie's older brother, Charlie, was the pianist and in charge of composing and arranging most of their repertoire." If he owned this album--one of the most important in the history of salsa--he could plainly see that Charlie wrote the liner notes and did nothing else on it.Then, a few pages later, he attributes the song "Micaela" to Pete "El Conde" Rodriguez. Now this is an error so common that Fania records itself has made it on at least one of their compilations, but Rondón should know better. There were two different artists named Pete Rodriguez on the Fania label--Pete "El Conde" Rodriguez, the salsa singer who did "Catalina La O," among other classics, and Pete Rodriguez (and his Orchestra), who was dubbed "The King of Boogaloo." It was the latter who did "Micaela."It's bad enough that Rondón, a Venezuelan, tries desperately to maintain that Venezuela was as important to the history of Salsa as Puerto Rico, but these huge factual errors (as well as minor ones--the original Perfecta included a flautist and was heavily influenced by charanga, though Rondón seems not to know this) indicate a stunning lack of knowledge about his subject and a failure to get anyone to fact check his work.

This is by far the best Android YouTube app, much better than YouTube's own app.For one, you can download almost all of the videos, even ones where the unloader doesn't want you to be able to watch. (Read below) And you can download on manyThere are a few annoyances however, snd that's why it deserves the 4 star rating. It doesn't multitask video playing, although I suspect that's Google's fault. Android "multitasking" is a lie. The organization of the videos is not very well developed.But it's fairly reliable.Hint: Use this in conjunction with the Soul Player app, the best video playing app I've found so far.When you come across a video that YouTube says you can't watch on mobile devices, either touch the green down arrow or the maximize button on the video screen. They both do the same thing: bring up the download screen. From there you can download and sometimes play the video anyway. In fact, sometimes the green arrow doesn't show up. Press the maximize window button. You can download from there.

Why confuse myself by reading this book. . .;Saying that Johnny Pacheco sounded like the Sonora Mantancera and had same instrumentation on the first 2 recordings with Celia Cruz was absurd and enough to make me skeptical of all the contents of the book, that is, not knowing what to trust. No solid ground here. Instead of bongo the Sonora had palitos or timbalitos, sort of miniature timbales played with sticks. Also, Pacheco had 2 congas, when the Sonora always had one and he played a sparser pattern than that typically used for salsa. Additionally, the bongos with Pacheco riff or speak a lot, weaving in and out of the rhythm. The paila player with Sonora played straight much more of the time. The texture of the bands was very distinct and also what some might call the feeling which includes the rhythmic feel. All salsa is relatively square or quadrato whereas Cuban son is sinuous. The rhythm is more subtle, less in your face, especially in septeto or sexteto style.Yet more . . . author says the guitar with the Sonora Mantancera was not audibile in person or on recordings. Wrong, of course. On Melao de Cana the guitar is prominent, complimenting perfectly the guajira nature of the song. And more, the trumpets with Sonora did not play improvised solos as is done in son and salsa, yet of course they did on Pacheco records.I am plagued, finally, by wondering whether this author in fact LISTENED to music.

I read this book in it's original Spanish version, so I can't comment on the translated English version now available. The Spanish version was an entertaining read with a "Sociological Perspective" about the rise of Salsa in the 60's and 70's mostly focused on the artists on the Fania label - which is considered the "Golden Age" of Salsa Music. If you're a fan of that era, it's definitely worth a read. It'll bring back lots of memories. I only gave it 4 stars because the author, as has been pointed out by other reviewers, was a little loose with the facts and sometimes gets some of the details wrong. Although overall he gets the gist and spirit of the music and the times right. The other thing is that the author refers to Venezuela quite a bit, his home country, when this story is really more about Puerto Ricans in Puerto Rico and New York who were the real stars of this music (besides Celia Cruz of course). But, cut the dude some slack, he's proud of his home country like everyone in the Caribbean is... (Que viva Colombia !Carajo!) Highly Recommended to fans of Old School Salsa.

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