Download PDF , by Harold Bloom
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, by Harold Bloom
Download PDF , by Harold Bloom
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Product details
File Size: 2507 KB
Print Length: 161 pages
Page Numbers Source ISBN: 1501164252
Publisher: Scribner (April 2, 2019)
Publication Date: April 2, 2019
Sold by: Simon and Schuster Digital Sales Inc
Language: English
ASIN: B07GNSMWP3
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If you are acquainted with Harold Bloom and familiar with his usual style, and his often bewildering allusive breadth and depth, I suggest you skip to the next paragraph. To those not as familiar with Bloom, this book is not a brief "introduction to Shakespeare's Macbeth." If that is what you are looking for, I suggest--respectfully--you look somewhere else. If you are not familiar with Bloom but are looking for something more thought-provoking and potentially controversial, you may be in the right place. 138 (short) pages.At this point Bloom is 88 years old and, in some ways, I see his style in the way of Shakespeare's late style. There is a terseness, a gnarled muscularity in diction, syntax and figure, and a dispensing with whatever isn't essential--to him. I also sense something of a tiredness. While Bloom has praised Hamlet and Falstaff and Cleopatra with verve and joy,, there is a sobriety and an intimacy in his voice in discussing Macbeth that I find in very few other places. (Oddly enough I recently came across this same tone in his section on Hawthorne in his The Daemon Knows.)In previous writing Bloom has deeply probed the "proleptic imagination" of Macbeth. Here, there is still a great deal of talk about "prolepsis", but there is something else too. If you love to savor Shakespeare and Bloom, this is another great work. Although it certainly rhymes in places with previous writing on Macbeth, Bloom surprises me here with a kind of quietism, almost becoming the transcendent Hamlet of Act 5. Yet instead of pondering consciousness and human existence, Bloom, in almost Borgesian fashion, has finally seen the human imagination for what it is: Macbeth's imagination, Shakespeare's imagination. So there is a "wonder-wounded" quality in Bloom's rumination, spellbound perhaps by the realization that Shakespeare's imagination has been here in plain sight all along, soaked in blood and darkness, yet blazing and visionary.While this is not Bloom's typical register in writing, it is slightly more common when hearing him speak, which makes me think that this book was dictated, the way Milton dictated Paradise Lost. It feels as though Bloom is right here with us, thumbing through the harrowing play and reflecting on Shakespeare, Macbeth, mortality, humanity and more. He even recounts how when he was a very young man he saw a ghost. I love that.I have read elsewhere the criticism that Bloom quotes too much of Shakespeare's text, thus deceiving or depriving the buyer or reader of Bloom's own thought. I would only point out that Bloom himself considers Shakespeare to be secular scripture, and that Shakespeare's word itself is the centerpiece; the rest--even Bloom's--is commentary. Furthermore, I would add that it is particularly useful to have long passages quoted (emended by Bloom) in the pages themselves, because it takes some of the burden off of the reader's having to go and look up the parts for closer reading. It's also interesting to read Bloom's literal reading.
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