Ebook Free , by Dustin Stevens

Ebook Free , by Dustin Stevens

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, by Dustin Stevens

, by Dustin Stevens


, by Dustin Stevens


Ebook Free , by Dustin Stevens

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, by Dustin Stevens

Product details

File Size: 4390 KB

Print Length: 294 pages

Simultaneous Device Usage: Unlimited

Publication Date: April 12, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01E7UCSOY

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Amazon Best Sellers Rank:

#19,652 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Another great Mattox and Billie read. Spoiler alert.This one starts with Reed Mattox in the past. A past that includes his dead partner Riley. A Riley who died when he wasn't there to protect her.Mattox now has a new partner. Billie is her name and she's an ex MWD and the perfect partner. A solid black Belgian Malinois. At sixty five pounds she's not as big as the German Shepherds on the force but she's one able and very capable K-9.The Good Son is about to make his first kill. This one will be easy. An older woman who's asleep in her house. A house the Good Son has no problem getting into. He does what he needs to do then leaves eight minutes later.Reed and Billie are eating lunch. Well attempting to eat the crappy burrito. Hell. Billie took one sniff and turned away. Reed ends up throwing the rest in the garbage. He then gets a call from Jackie the gossip mongering dispatcher. Jackie tells him both he and Billie need to gain a few pounds. At 6'3" and over 200 pounds Reed thinks both he and Billie don't need any extra pounds. Jackie does have a call for him. Seems the uni's on site want a detective to give a second opinion. That's a new one for Reed who's a twelve year veteran of the force so he heads to the house to see what his opinion is needed on.Officers Jacobs and McMichael's meet him at the scene. The scene is a single story house in what's called The Bottoms.The fire department and EMS are also on site. Things look pretty dicey because the officers wouldn't let EMS or the FD into the house for fear they would contaminate the scene. The first responders are pissed because its money out of their pockets and they don't think the officers were justified in calling the woman dead without them having the opportunity to see her. Someone called 911 about the woman. The call reported a heart attack and the two officers entered the house to find Esther Rosen in the back bedroom. No pulse, no breathing and body already starting to cool. Reed agrees to take that look.Reed works the night shift as a floater and when he gets back to the office he finds Captain Grimes who heads up the 8th already in his office. A Grimes who's already gotten a call from the Medics about this mornings call out to the Bottoms.Reed tells Grimes that the scene was sterile as hell and for a woman who was supposed to be having a heart attack the sheets covering her weren't even disturbed. Something is fishy with this one and that's what Reed tells Grimes. The autopsy later will show her sternum had been hit hard enough to break bones. A sure sign that someone tried to bring her back after death. A death that was from suffocation and not a heart attack.So begins one damned fine read.This one has Reed, Billie, Grimes, the Good Son, his mother, his job, his idiot of a boss, officers Jacobs and MacAlister, Dr. Solomon the county ME, a Solomon who will be working hand in glove with Reed on this one as the bodies start to pile up, Earl the forensics specialist, his team, a woman who's death is made to look like suicide, her dead dog, the stone that was used to kill the dog, a Billie who got the scent, a Reed who has a hard time trying to figure it all out , donor cards, a support group, the ex wife of one of the dead who's a real piece of work, Bishop and Iaconelli two less than friendly detectives who assist in the final takedown, a Reed finally beginning to figure the whole thing out, motives, a man who would do anything for his mother, a Billie who saves the day and Reed Mattox doing his best to get the bad guys, figure the whole thing out and stay alive.Five Stars

It has generally been said, whether of a book or of a movie, that the second in the series, was not as good as the first in the series. I typically agree with that except, no question, The Empire Strikes Back, book two in the first Star War trilogy was immensely better than the first movie, A New Hope.The second book in this writer’s series, The Good Son, was not as good as the first book, The Boat Man. I gave it 3 stars as opposed to 5 stars for Boat Man.I’m heavy into the crime genre. I don’t write the books. I write the book reviews. I look closely at the behavior of the antagonist, because I regard that trait to be the catalyst of the story. The other thing I look for is what I call the “punch line”, i.e., that which tells me the reader why the killer did what he/she did. We read WHAT the killer did over and over throughout the narrative, but it is not until we get to the “WHY” the killer did what they did that we understand the crux of the behavior of the antagonist and thus the basis for the story. The “why”, therefore, is the punch line to the story. If the punch, or the why of the behavior of the actions of the antagonist comes too early in the read we figure out where the story is going. Then the rest of the story is simply a rush to get to the anti climax or resolution of the read. So, the timing of WHEN the punch line comes, therefore, is pivotal in order to keep the reader engrossed in the story to page last.The punch line of The Good Son came way too early in the read. Once I got why the killer was doing what he was doing, I got bored with the rest of the read. But, I finished it anyway.The other concern I have with a follow up book to a prior read from the same author is predictability. In other words, the plots, character studies, rising and falling action are the same book after book.While I enjoyed the plot, etc, in book one, once I recognized the same pattern in book two, I was not as interested in where the story was going because I could figure out how the narrative was going to end. This is somewhat similar to punch line, although but by that time I was pretty well jaded with the read anyway.Based on the above, I’m wondering if I want to read any more of this writer. He is prolific, so I may pick up one more of his books solely for the reason to either prove out my theory that he writes his stories in a template fashion, or, his first two books were just to get his feet wet in the genre.We’ll see.

I've just finished reading the fifth installment of the Reed & Billie series and thoroughly enjoyed the entire series. I appreciate the fact that the protagonist Detective Reed Mattox isn't some kind of super-cop, just a dedicated hard working investigator. None of that "digging deep into his primal core" to come up with herculean strength, speed, etc. This makes the stories more realistic, in my view.The only gripe I have about the series is that the editors or proof-readers (or both) seem to slack off toward the end of the stories. In the 4th book there are references to the "speedometer and odometer redlining". Odometers record miles driven. Tachometers record engine RPMs which would have been the proper term, not odometer. Also, there are frequent references to the "smell of cordite" after gun fire. Cordite was only used in gunpowder from the late 1800's to WWII (see Wikipedia) so any reference to it in a modern setting is an example of ignorance and sloppy editing.Super minor annoyances, to be sure, and do not detract from the page-turning stories. I hope there are more Reed & Billie stories in the pipeline.

I really enjoyed Boat Man and was eager to read the sequel, however, I found it a disappointment. Neither the intensity nor the environment description is as riveting. I could never lose track of the thought that Stevens is writing about Ohio from his nest in Hawaii. I fear I have lost interest in Stevens for awhile, at least.

I've read both of the Reed and Billie series, and I loved them. The relationship between the two is developing. Enough twists and action to make this another great read from Mr. Stevens. I'm really looking forward to your next installment--I'm hooked on this dynamic duo. .

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Ebook Free How to Succeed in Commercial Photography: Insights from a Leading Consultant

Ebook Free How to Succeed in Commercial Photography: Insights from a Leading Consultant

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How to Succeed in Commercial Photography: Insights from a Leading Consultant

How to Succeed in Commercial Photography: Insights from a Leading Consultant


How to Succeed in Commercial Photography: Insights from a Leading Consultant


Ebook Free How to Succeed in Commercial Photography: Insights from a Leading Consultant

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How to Succeed in Commercial Photography: Insights from a Leading Consultant

Review

"Maitreya brings a unique spiritual understanding to the everyday challenges that photographers face in the twenty-first century." -- Beverly Adler, freelance art buyer"Reading this exquisitely written guide, you'll suddenly realize that you have in your possession a priceless blueprint for success." -- Alice B. Miller, Editor, Studio Photography magazine"Selina takes the ever-changing business and marketing of photography and shows you, in detail, how to succeed in it." -- Michael Grecco, photographer; author, Lighting and the Dramatic Portrait; Chairman, Advertising Photographers of America, Los Angeles"Those smart enough to follow Selina's advice will find all of the answers leading to their own personal and commercial success." -- James Sullivan, www.photoassistant.net

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From the Publisher

It takes a lot more than a camera and talent to make a living as a professional photographer. The most successful photographers have developed, but their vision, values, and business plans. For those still developing or rethinking their strategies, a new resource is here to help. With How to Succeed in Commercial Photography, author Selina Maitreya offers the insights of her nearly 30 years as a leading consultant.

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Product details

Paperback: 240 pages

Publisher: Allworth; 1 edition (October 16, 2007)

Language: English

ISBN-10: 1581154917

ISBN-13: 978-1581154917

Product Dimensions:

6 x 6 x 9 inches

Shipping Weight: 13.6 ounces

Average Customer Review:

4.3 out of 5 stars

21 customer reviews

Amazon Best Sellers Rank:

#532,598 in Books (See Top 100 in Books)

Smart and insightful, this book describes, step by step how to achieve the kind of success most dream of but few accomplish.Selina Maitreya has written a no nonsense book that outlines the basic requirements for achieving success in one of the most competitive businesses around. Her approach is not only to achieve business and creative success, but to achieve some spiritual enlightenment along the way. In other words, she wants you to make money and create fabulous images, but says that those things do not make us happy without a deeper understanding of ourselves creatively.The point she makes in the end is, she can give you all the advice in the world but you have to make it happen on your own. She makes that clear with anecdotal success stories of some of her most determined clients who work through difficult times and personal tragedies, not necessarily to reach success beyond their wildest dreams, but to launch their business and begin to find clients who give them the work they dreamed of.

With so many photographer's books focusing on cameras, digital workflow, shooting and Photoshop, it is so refreshing to find a book that focuses on the Photographer. That attention to the humanity is defined, refined and delivered with examples that inspire.Photographers are people first, and they have fears and egos and baggage from years of doing something they love. Many are currently struggling, or wanting to find a new excitement and reason for it all. And Selina takes her decades of experience and energy and synthesizes it into an easy to read and understand book.There are no pictures, no lighting charts and explanations of model posing... this is a behind the scenes look into the processes of commanding, and holding, a lead in a highly competitive market. Selina will bring some clarity to the sometimes confusing world of commercial photography.If you are looking for a 'silver bullet' book, or guide to what lens to buy to impress an art director, this book isn't for you. If you need some thought provoking, real world direction toward creating a successful career, this may be the one.

Although I've been doing commercial photography for 10 years, this has given me a dozen new ideas already, and I haven't even finished it yet.

This is one of the best advice and consulting books I ever read and owned in regards to be successful in this highly competitive industry. Selina is very generous in dispensing her knowledge and experience in helping photographers to succeed. There are lots of exercises and resources that one can explore deeper into this ever changing industry. Yes, reading this book will no guarantee you fame and fortune, but it opens the window to possibilities. The rest is up to you to make it happened.

I am re-reading this book again. This book is more than some repeated advice, but it is a book that encourages you to succeed.I enjoyed the chapters on vision more than any of them. So many books on the business of photography attempt to drown you with negative doubtful comments that you ready to quit before you begin.Selina on the other hand delivers a honest look at the world of commercial photography, but filters it through a message of positive encouragement and strong faith.Tim SkipperVision Photo Image[...]

The book is clear, concise and focused. Selina really knows her business and even when I'm not in my moment to get a rep nor a consultant, is very useful to have a clear path ahead of how to start planning for that moment. Anyway, is a book also for the beginner -as me- because all the book is very inspirational and motivational and introduces you to the big leagues of the photography, how the art buyers think and work, how the pros use to manage their portfolios and marketing campaigns. In concrete, a highly recomendable book!

This book is a bunch of essays put together from people working or have worked in the industry, whether it be the buyers, sellers, or the artists themselves. This book brings advice from the past and present to help the reader have a greater understanding of how the business works.The book is not one you can just sit down and read start to finish.

Selina is right on! She's thorough and inspiring.

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Ebook Free Before She was Harriet (Coretta Scott King Illustrator Honor Books), by Lesa Cline-Ransome

Ebook Free Before She was Harriet (Coretta Scott King Illustrator Honor Books), by Lesa Cline-Ransome

As understood, to complete this publication, you could not should get it simultaneously in a day. Doing the activities along the day could make you feel so bored. If you attempt to force reading, you might prefer to do other entertaining activities. Yet, among ideas we desire you to have this publication is that it will not make you feel bored. Really feeling tired when checking out will certainly be only unless you do not like the book. Before She Was Harriet (Coretta Scott King Illustrator Honor Books), By Lesa Cline-Ransome truly supplies just what everyone wants.

Before She was Harriet (Coretta Scott King Illustrator Honor Books), by Lesa Cline-Ransome

Before She was Harriet (Coretta Scott King Illustrator Honor Books), by Lesa Cline-Ransome


Before She was Harriet (Coretta Scott King Illustrator Honor Books), by Lesa Cline-Ransome


Ebook Free Before She was Harriet (Coretta Scott King Illustrator Honor Books), by Lesa Cline-Ransome

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Before She was Harriet (Coretta Scott King Illustrator Honor Books), by Lesa Cline-Ransome

Review

"Simultaneously simple enough for young children to understand and sophisticated enough to inspire adults." (Booklist (Starred))"A memorable, lyrical reverse-chronological walk through the life of an American icon. While the text introduces readers to the details of Tubman's life, Ransome's use of watercolor . . . reveals Tubman's humanity, determination, drive, and hope. Ransome's lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past. A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney's Minty (1996) and Carole Boston Weatherford and Kadir Nelson's Moses (2006)." (Kirkus Reviews (Starred)) "This striking reverse chronology opens with a regal portrait of an elderly Harriet Tubman, after which the Ransomes chart her decades of work in pursuit of equality. [Lesa Cline-Ransome’s] incisive free verse emphasize[s] Tubman’s bravery in the face of a multitude of dangers. James Ransome’s watercolor portraits imbue Tubman with a steely determination―at every age―in lush scenes often set against blazing summer skies and blue, moonlit nights. Beyond its recognition of all that Tubman accomplished, the book serves as a powerful reminder of how all children carry within them the potential for greatness.” (Publishers Weekly (Starred))"Each episode in her compelling life is illustrated by a luminous watercolor. The expertly done expressive paintings evoke Tubman’s strength and integrity showing “the wisp of a woman with the courage of a lion.” This lovely tribute effectively communicates Tubman’s ­everlasting bravery and resolve, and will ­inspire curious readers to learn more." (School Library Journal (Starred))

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About the Author

Lesa Cline-Ransome and James Ransome have collaborated on many award-winning picture books for children. These include Before She was Harriet, a Coretta Scott King honor book; Benny Goodman & Teddy Wilson: Taking the Stage as the first Black-and-White Jazz Band in History; Satchel Paige, which was an ALA Best Book for Children and Words Set Me Free: The Story of Young Frederick Douglass, which received starred reviews in Booklist and School Library Journal. They live in the Hudson River Valley region of New York.

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Product details

Age Range: 4 - 8 years

Grade Level: Preschool - 3

Lexile Measure: NP (What's this?)

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Series: Coretta Scott King Illustrator Honor Books

Hardcover: 32 pages

Publisher: Holiday House (November 7, 2017)

Language: English

ISBN-10: 0823420477

ISBN-13: 978-0823420476

Product Dimensions:

9.3 x 0.4 x 11.3 inches

Shipping Weight: 15.5 ounces (View shipping rates and policies)

Average Customer Review:

4.9 out of 5 stars

19 customer reviews

Amazon Best Sellers Rank:

#148,501 in Books (See Top 100 in Books)

I use this book in 4th grade to teach timeline and then extend as a mentor text for perspective. The book shares a nickname/ title for Harriet in each phase of her life that we identify and place on a timeline. Then students write a note to a friend from one of the perspectives on the timeline.

My daughter loves this book. I love her reading about such a strong woman.

This book is MEANT to be read aloud. The poetry is matched only by the stunning artwork. I will purchase this as a gift in the future.

My son likes the book! I didn't think he'd like it because he's only three but he picks it out to read at bedtime and it makes me so happy to teach him about the history of this amazing woman!

Excellent overview of Harriet T. life. My daughter really enjoyed this book and she isn't a bookworm like me:)

As expected

This book is beautifully written and illustrated. As an aspiring children's writer, I am awed by the intricate simplicity of this picture book. The author captured so much in so little words. A true gem!

Movingly written and beautifully illustrated. The life of this amazing woman covered in a few succinct pages. Little know nuggets about the many facets of her remarkable life are covered.

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Ebook Download The Edgemaster's Handbook: A Comprehensive Guide to Choosing, Using, and Maintaining Fixed-Blade and Folding Knives, by Len McDougall

Ebook Download The Edgemaster's Handbook: A Comprehensive Guide to Choosing, Using, and Maintaining Fixed-Blade and Folding Knives, by Len McDougall

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The Edgemaster's Handbook: A Comprehensive Guide to Choosing, Using, and Maintaining Fixed-Blade and Folding Knives, by Len McDougall

The Edgemaster's Handbook: A Comprehensive Guide to Choosing, Using, and Maintaining Fixed-Blade and Folding Knives, by Len McDougall


The Edgemaster's Handbook: A Comprehensive Guide to Choosing, Using, and Maintaining Fixed-Blade and Folding Knives, by Len McDougall


Ebook Download The Edgemaster's Handbook: A Comprehensive Guide to Choosing, Using, and Maintaining Fixed-Blade and Folding Knives, by Len McDougall

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The Edgemaster's Handbook: A Comprehensive Guide to Choosing, Using, and Maintaining Fixed-Blade and Folding Knives, by Len McDougall

Review

"I have been eagerly awaiting this book. Being a knife maker, qualified, and knowledgeable comments are gold regarding my products. Len is certainly one who knows how to punish a knife and see what it's really made of!" —Chris Hayes, Chris Hayes Knives "The Edgemaster's Handbook is the new benchtop reference book for every knife and edge enthusiast." —Kyle Crawford, Work Sharp Knife & Tool Sharpeners

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About the Author

Len McDougall is a field guide and wildlife tracker in Michigan’s north woods, where he teaches survival classes and tests outdoor products. He has written for Field & Stream and published several books, including The Self-Reliance Manifesto, The Complete Tracker, The Encyclopedia of Tracks and Scats, The Field & Stream Wilderness Survival Handbook, and Practical Outdoor Survival.

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Product details

Paperback: 240 pages

Publisher: Skyhorse (July 3, 2018)

Language: English

ISBN-10: 1510727698

ISBN-13: 978-1510727694

California residents: Click here for Proposition 65 warning.

Product Dimensions:

8 x 0.6 x 10.5 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#99,212 in Books (See Top 100 in Books)

Informative, well organized, well illustrated book. If you have an appreciation for knives or consider yourself a knife enthusiast, you will enjoy this excellent book. Highly recommended.

my son wants to learn to be a "man" which means taking care of your 'tools' ... your knives, guns, and workshop tools. he loves the book, and has almost finished it in the 10 days since he has gotten it.

Nothing new here folks. Nothing about using knives except a few how to knife fight tidbits. Very disappointed but at least it was cheap.

Great detail

Great bookLow priceWorth it

Good book

This is a book that is affordable and covers many areas of knife use. Blades, sharpening, use, and combat are all covered in this highly illustrated volume. This is not a 'how-to' manual of knife fighting or knife use, but it is a broad look at knives in general.If you are new to the hobby of cutlery (knives) or if you have been using a knife pasted down from great grandpa's military service days, you will find value here.

Learned a lot from this book and I think it covers everything I needed to know. This guy Len McDdougall know his stuff!

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The Edgemaster's Handbook: A Comprehensive Guide to Choosing, Using, and Maintaining Fixed-Blade and Folding Knives, by Len McDougall PDF

The Edgemaster's Handbook: A Comprehensive Guide to Choosing, Using, and Maintaining Fixed-Blade and Folding Knives, by Len McDougall PDF
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Ebook , by Ace Landers

Ebook , by Ace Landers

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Product details

File Size: 6043 KB

Print Length: 32 pages

Publisher: MATTEL, INC. and MATTEL EUROPA B.V. (August 31, 2017)

Publication Date: August 31, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B072JX2J83

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My 4 year old son (almost 5) is a HUGE vehicle fanatic; especially of race cars. His favorite movies are Cars and Cars 2. He has a HUGE hot wheels vehicle collection, and one of his favorite pastimes is racing his cars around an imaginary racetrack. When he saw this Hot Wheels book in his sister's Scholastic's book order pamphlet, he just had to have it. We've had this book for almost a month now, and already we've read it to him no less than a couple dozen times! He absolutely LOVES this book!The story is about an race that takes place at the top secret Hot Wheels Test Facility. The drivers must complete the Double Loop racetrack, which is no easy feat. In order to be successful, each driver must race through a "hair-raising loop and jump over [a] canyon." The race is described in exciting step by step detail, and some beautiful illustrations are included. The story is very entertaining, and is written using simple easy to read words. This Scholastic Reader Level 1 is geared towards beginning readers. It is a great story for racing car lovers, and a wonderful reading tool for early readers.

In a world with very few hot wheels books I am glad I found one here!

The great-grandsons loved it. They are six year old twins and anything Hot Wheels is their favorite thing in the whole world.

Great condition and so much fun to read.

Gift for my grandson - he loved being able to read the book himself.

:)

very basic.

My son loves these books and will often sit and read them himself. I am definitely on the lookout for more.

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Download Our Tango World vol.1: Learning & Community

Download Our Tango World vol.1: Learning & Community

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Our Tango World vol.1: Learning & Community

Our Tango World vol.1: Learning & Community


Our Tango World vol.1: Learning & Community


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Our Tango World vol.1: Learning & Community

Product details

Paperback: 264 pages

Publisher: milonga press (December 3, 2018)

Language: English

ISBN-10: 1999755189

ISBN-13: 978-1999755188

Product Dimensions:

6 x 0.7 x 9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,237,434 in Books (See Top 100 in Books)

I have been following the author on Facebook for a couple of years and can testify that she is a gifted writer. I have immensly enjoyed her posts. I feel they have greatly enriched our tango lives. I also have had the pleasure of meeting her and taking her classes. She is a wonderful teacher and takes one really deep into the material she is teaching in contrast to those teachers who merely scratch the surface. I still practice exercises she has taught in those classes. For reference, I have been dancing tango since 2013, attending local milongas, practicas and festivals, and have been taking weekly private lessons for going on four years. So many of the topics presented in Part One of this work resonate with me. Example, page 134, Balance. "It's a switch that always needs to be flicked to fully ON" Thank you Iona for presenting that in a way that is immediately relevant. I have been struggling with that as of late. Even though I know steps, figures and sequences, my balance is still off in a way that interferes with fluidity, continuity and consistency. Iona understands and this is just one example of how she can be helpful to you in your tango journey. In Part Two:Community, she takes on the always awkward and sticky issues that arise in interactions in tango scenes. Many of us have experienced frustrations with issues like gender/role imbalance, inflated egos, and petty jealousy. She makes valuable suggestions as to how to navigate the choppy waters of the social environment and rise above these and our own psychological challenges to a place where we can have compassion for ourselves and others, own our dance, and derive pleasure in honoring the tango gods, wherever we are in the process. If all of this isn't enough, there is a comprehensive glossary for those not yet familiar with tango terminology. This is a book I read through very quickly but also one that will serve me as a reference for all times. I can confidently say that you should just buy it. You will thank me for it !

Iona tells it to us straight, in this wonderful book that highlights the simple way to connect in tango, and in life. I found myself becoming aware my own biases and realizing that I still have so much more to learn on this journey. I am a tango teacher, local DJ, and a forever student who Is constantly seeking more information, and more connection to others through tango. This book has sparked new energy in my life to devote more to my own practice and to help others with theirs. It's not a how-to, it's a why-should-you kind of read, and I highly recommend it for anyone from novice to advanced dancer. I can't wait for volume 2!

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PDF Download Complicated Women: Sex and Power in Pre-Code Hollywood

PDF Download Complicated Women: Sex and Power in Pre-Code Hollywood

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Complicated Women: Sex and Power in Pre-Code Hollywood

Complicated Women: Sex and Power in Pre-Code Hollywood


Complicated Women: Sex and Power in Pre-Code Hollywood


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Complicated Women: Sex and Power in Pre-Code Hollywood

From Library Journal

Between 1929 and 1934, Hollywood was governed by a voluntary code of decency. During this period, women characters were often tough-talking, sexually aggressive, and independent. Under pressure from church and state decency groups, a code with enforcement powers was implemented in 1934. The effect of the 1934 code (which remained in effect until the late 1960s) has been hotly debated recently. LaSalle, film critic for the San Francisco Chronicle, makes it clear what he thinks, blasting the code as a measure "to prevent women from having fun. It was designed to put the genie back in the bottleDand the wife back in the kitchen." He calls the code, as enforced by Joseph Breen, "anti-art," antiwoman, and anti-Semitic. However, LaSalle's main purpose is to celebrate the short-lived era of "complicated women," as personified by the early films of Marlene Dietrich, Jean Harlow, Myrna Loy, and others. In particular, this book is an unabashed valentine to Greta Garbo and Norma Shearer. It features insights on significant scenes from precode films and evaluates some modern counterparts to the great ladies of the early 1930s. This book is more narrowly focused than other recent books on the subjectDsuch as Thomas Doherty's Pre-Code Hollywood (LJ 7/99) and Mark A. Viera's Sin in Soft Focus (LJ 11/1/99)Dand some may disagree with the author's conclusions, but it is recommended for large film and women's studies collections.DStephen Rees, Levittown Regional Lib., PA Copyright 2000 Reed Business Information, Inc.

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From Booklist

LaSalle mines the brief, rich period of Hollywood history between the talkies' advent and that of the industry's production code, under which not only didn't crime pay but adultery, divorce, extramarital sex, and even women working outside the home were punishable when not verboten. Typically, the schemes of an offending woman in an American movie led to a crushing denouement. LaSalle concentrates on Norma Shearer and Greta Garbo as representative stars of the period. Subsequently less celebrated. Shearer was a transcendent celebrity in the early '30s, who greatly impressed, among others, Clark Gable: "Damn, the dame doesn't wear any underwear. . . . Is she doing that in the interests of realism or what?" She and Garbo portrayed women as independent beings possessing thoughts, urges, and desires. Those last two the code sought to suppress. Excellent on Hollywood as it entered the era of studio dominance, the book may also reawaken interest in Shearer. Meanwhile, limned less lengthily in an epilogue are Bankhead, Loy, Harlow, Lombard, and others. Mike TribbyCopyright © American Library Association. All rights reserved

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Product details

Hardcover: 304 pages

Publisher: Thomas Dunne Books; 1st edition (September 28, 2000)

Language: English

ISBN-10: 9780312252076

ISBN-13: 978-0312252076

ASIN: 0312252072

Product Dimensions:

6.2 x 1.2 x 9.2 inches

Shipping Weight: 1.3 pounds

Average Customer Review:

3.9 out of 5 stars

74 customer reviews

Amazon Best Sellers Rank:

#1,290,608 in Books (See Top 100 in Books)

This is a fascinating book that discusses the movies produced during pre code period of 1929-1934 and evaluates the impact it had on the careers of Hollywood's leading ladies. The movies of Norma Shearer and Greta Garbo are extensively discussed along with many other leading ladies and how it impacted the studios and the Hollywood culture. Shearer was a smiling subversive and her most characteristic film is the Divorcee and Riptide in which she portrays as woman of questionable morals in spite of being married. In Divorcee (1930) she has an affair with her husband's best friend after she finds out that he cheated on her. Her roles explored women's feelings about love, and sex with honesty. Greta Garbo's Mata Hari, Camille, and Two Faced woman were also similar in character and spirit. Garbo's Queen Christina explored bisexuality; that was the most daring examination of gender and sex the studio system ever produced. The author observes, despite some daring stuff and no matter how far off from the societal values, Garbo's movies had touching Christian allegories to assert divine faith that enriches the power of love and passionDorothy Mackaill, a hard drinking Ziegfeld Follies girl turned actress, was a strong contender of the roles of Jean Harlow in early 1930s, analyzed the effect of war on Hollywood and its portrayal women's sexual freedom as a logical change in values and none of the old taboos can affect them. Shearer began working with director Monta Bell; he shaped her career like Josef Von Sternberg did for Marlene Dietrich, and G.W. Pabst for Louise Brooks. Joan Crawford, Jean Harlow, Marlene Dietrich, were also in top of the pack. They were like Lindberg for speed. From New York stage, came ladies like Claudette Colbert, Barbara Stanwyck, Ann Harding, Bette Davis, and Kathryn Hepburn. Marlene Dietrich was imported from Germany by Paramount Studios as an answer to MGM's Greta Garbo.Ruth Chatterton in the movie Female, hires young men for her firm, uses them for sexual pleasure, and then let them go. Constance Bennett played a poor girl who slept her way through to become rich in the movie, Easiest Way; she gives birth to a baby out of wedlock in Born to Love; and in Bed of Roses, she slides into the oldest profession. The most outrageous movie is the Common Law where she leaves her live in lover and becomes a nude model. Carole Lombard becomes a kept woman in Summer in the Sun to lead a luxurious life style. In Faithless, Tallulah Bankhead turns to the oldest profession when her husband becomes ill and incapable of supporting the family. All movies produced at the height of Great Depression. Ironically, some of these examples were the real life stories of the 1920's stars like Barbara La Marr and Louise Brooks who lurked into poverty. Cecil DeMill's Sign of Cross breached the boundaries of faith which annoyed the Catholic Church and Christian conservatives where in Claudette Colbert plays Nero's wife Poppeae and losses her lover to a Christian woman (Elisa Landi), and she is humiliated by pagans and aroused in a dance that contains lesbian like overtures.In many pre-code movies women got away with murder. Most notorious example is the Ricardo Cortez. Loretta Young shoots Cortez in Midnight Glory; Kay Frances does the same in 56th Street, and poisons Cortez in Mandalay; and Dolores Del Rio stabbed Cortez in Wonder Bar. He also gets shot by Helen Twelvetrees in Bad Company and by Anita Louise in The Firebrand. Marjorie Rambeau kills blackmailer Arthur Hohl in A Man's Castle and Sally Eilers kills gigolo Ivan Lebedoff in cold blood. Ruth Chatterton kills a woman, Clair Dodd, a Broadway star for stealing her husband.The code had significant effect on the work of many stars who built their career around uninhibited and honest portrayal of love, marriage, and womanhood. But this was not tolerated in the code era, consequently Ruth Chatterton, Constance Bennett, Miriam Hopkins, Ann Dvorak, Madge Evans, Glenda Farrell and Kay Frances faded. The code damaged stateside popularity and made Joan Blondell less important. Mae West also faded into the horizon. Ann Harding left Hollywood and triumphed on stage in London. Bernard Shaw, a caustic critique of marriage, said that Harding was the best for the role of Candida. By the end of 1942, Garbo was 36 and Shearer 40 had passed their final phase of movie business.This book is brilliantly written and contains well researched materials. There are some rare pictures of 1930s stars, and I especially liked the pictures of Greta Garbo, Mae Clarke and Dorothy Mackaill; they are simply gorgeous.1. Hollywood Babylon: The Legendary Underground Classic of Hollywood's Darkest and Best Kept Secrets2. Hollywood Babylon II3. Leading Men: The 50 Most Unforgettable Actors of the Studio Era4. The Genius of the System: Hollywood Filmmaking in the Studio Era5. Leading Ladies: The 50 Most Unforgettable Actresses of the Studio Era6. Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema; 1930-19347. Sin in Soft Focus: Pre-Code Hollywood8. Dangerous Men: Pre-Code Hollywood and the Birth of the Modern Man

Then this book is is for you. Granted, in writing this book, the author does set up Garbo and Shearer as the two women who paved the way in making sure that they were e new, modern woman. Women that chucked the double standard. However, there were only little bits and pieces about Stanwyck, Carol Lombard, Miriam Hopkins, Kay Francis, Harlow, Crawford, and more, whom all should be included as sane, sexy women in the Pre Code years.I did give this book a 4 star rating, however, because it does shed some light on the women that were a big part of Pre Code era. I guess I can look up the women not really mentioned n the book on Wikipedia

Really more of a detailed look of many of the movies of the pre-code era and the actresses who played in them. The author certainly knows the movies and some of the sociological issues which were presented in the movies themselves. What I wish this book went into more of was the impact the Hays Act had on American society and particularly women for the next 30 years. Effectively, you had Preen, a religious fundamentalist, anti-Semitic Catholic who dictated his views on Hollywood movies for 30 years and effectively the American people. . Every bit as oppressive at what we now seem to fault many Islamic countries and the way they treat women. Shame Hollywood did not have the courage to fight him. They would have won.

What a great book! I have read it six times, and come away with new insights each time. Before purchasing this, I read some reviews complaining about the book being a glorified Norma Shearer biography. I must disagree. He does spend a lot of time on both Shearer and Greta Garbo. However, if you know your pre-codes, you'll see that those two actress starred in the bulk of what most people think of as 'pre-code movies'. I am referring to those movies that really typified the pre-code genre, as opposed to a regular movie that happened to be made between 1929 - 1934. Agreed, there are other actresses who did a lot of work in the pre-codes, but Shearer & Garbo had the best, most visible, influential and controversial roles. If I had to pick a flaw, it would be that I would have liked a little more coverage on Dorothy Mackaill, Barbara Stanwyck and Kay Francis, but I truly loved this book. Easily a five star rating

Awesome book. I didn't care terribly for the author's writing style, but the information was glorious. I couldn't put it down because I was enthralled in learning of so many actresses and films I did not know of. I was blown away by the style of movies during this little known period of cinema. As an old Hollywood buff, I thought my knowledge of the early days was pretty good. But there was so much I didn't know. And it was fascinating to learn about the raunchy, powerful, style of women in this time of Hollywood before conservatives forced regulations in motion pictures.

Anyone interested in the great female stars of old Hollywood will learn a lot about the power they wielded, the freedom of choice in juicy roles, how they reflected the actual mores of the "modern woman" embracing newfound independence, sexuality, career choices, etc. I was surprised by much of what I learned. The author knows his movies and has delved into the back stories of the stars, the studios and getting things done, pre-code. It explains why women's roles became secondary to men's, post-code, and why female stars never again had the power they once had after the Legion of Decency, Hays Office & Joseph Breen stepped in and quashed movie content in the extreme.

Complicated Women: Sex and Power in Pre-Code Hollywood PDF
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Complicated Women: Sex and Power in Pre-Code Hollywood PDF

Complicated Women: Sex and Power in Pre-Code Hollywood PDF
Complicated Women: Sex and Power in Pre-Code Hollywood PDF
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